La Misa como nunca te la habían contado. Un deslumbrante recorrido a través del sentido bíblico del sacrificio -desde la Creación hasta nosotros- acompañados por anfitriones de lujo: Eduardo Verástegui, el autor súper ventas Scott Hahn, el bicampeón de Fórmula 1 Emerson Fittipaldi, el Barrabás de La Pasión de Cristo Pietro Sarubbi, Raniero Cantalamessa... y por jóvenes 'besados' por Dios. Con increíbles imágenes de la naturaleza de Brasil e Islandia; rodado en la Playa de las Catedrales (Lugo) y en Matera (Italia).
| Título original: | EL BESO DE DIOS |
| Año: | 2022 |
| Fecha estreno: | 22-04-2022 |
| País: | España |
| Dirección: | P. Ditano |
| Guion: | P. Ditano |
| Productores: | Arturo Sancho y P. Ditano |
| Música: | Almighty y Andrea Bocelli |
| Dir. producción: | Alfonsina Isidor |
| Montaje: | P. Ditano |
| Fotografía: | César Pérez, Víctor Entrecanales y Dan Johnson |
| Mezcla sonido: | David Machado |
| Género: | Documental |
| Duración: | 76 min. |
| Distribuidora: | European Dreams Factory |
| EDUARDO VERÁSTEGUi | narrador (voz) |
| EMERSON FiTTiPALDi | entrevistado |
| SCOTT HAHN | narrador y entrevistado |
| PiETRO SARUBBi | actor, narrador y entrevistado |
| CARDENAL CANTALAMESSA | entrevistado |
| BRiEGE McKENNA | entrevistada |
| MARY HEALY | entrevistada |
| RALPH MARTiN | entrevistado |
| JOSÉ PEDRO MANGLANO | entrevistado |
| TONY GRATACÓS | entrevistado |
| BEA MORiILLO | entrevistada |
| FER RUBiO | entrevistado |
The watch didn't tick; it hummed—a low, rhythmic vibration that Elias felt against his radius bone. On the brushed steel casing, the designation was etched in a utilitarian font that suggested it had been built in a lab, not a boutique.
The "Watch bob-E61B" isn't a known product or a common pop-culture reference, which makes it the perfect centerpiece for a piece of .
"Sequence initiated," the watch responded. The steel grew searingly hot against his wrist. "It has been an honor, Elias." There was a sound like a heavy door slamming in a vacuum.
Elias ignored the advice. He was here for the locket—a silver trinket lost during the Great Shift. To the rest of the world, the locket didn't exist anymore. To the , it was a "high-density memory object" that could serve as a tether to pull Elias back.
The watch face didn't have hands. Instead, a holographic needle flickered over a circular scale. It was hovering dangerously close to the red zone marked Desync .
The watch didn't tick; it hummed—a low, rhythmic vibration that Elias felt against his radius bone. On the brushed steel casing, the designation was etched in a utilitarian font that suggested it had been built in a lab, not a boutique.
The "Watch bob-E61B" isn't a known product or a common pop-culture reference, which makes it the perfect centerpiece for a piece of .
"Sequence initiated," the watch responded. The steel grew searingly hot against his wrist. "It has been an honor, Elias." There was a sound like a heavy door slamming in a vacuum.
Elias ignored the advice. He was here for the locket—a silver trinket lost during the Great Shift. To the rest of the world, the locket didn't exist anymore. To the , it was a "high-density memory object" that could serve as a tether to pull Elias back.
The watch face didn't have hands. Instead, a holographic needle flickered over a circular scale. It was hovering dangerously close to the red zone marked Desync .