In 2013, a harmonica wailed over a gritty acoustic guitar, signaling a shift in the heavy metal landscape. That 88-second intro, aptly titled wasn't just a mood-setter; it was a manifesto. It invited listeners into a dusty, cinematic world of gunslingers and ghosts, marking the beginning of Volbeat’s most ambitious chapter: Outlaw Gentlemen & Shady Ladies . A New Frontier in Sound
While Volbeat had always flirted with "Elvis-metal," "Let's Shake Some Dust" signaled a deeper dive into American Western lore. By the time the dust settled and the heavy riffs of "Pearl Hart" and "Lola Montez" kicked in, the band had successfully married the spirit of Ennio Morricone with the crunch of Metallica.
Below is a draft for a music feature focusing on the legacy and impact of that specific era.
The track sets a desolate, sun-scorched stage, evocative of a spaghetti western showdown.
This era saw the permanent addition of lead guitarist Rob Caggiano (formerly of Anthrax), whose technical precision added a new layer of polish to Michael Poulsen’s grit.
Fans often cite this intro as the definitive "Volbeat vibe"—the moment you know you’re about to hear a story as much as a song. Shaking the Dust Off Today
Over a decade later, the phrase "Let's Shake Some Dust" remains a rallying cry for the band's live shows. It represents the act of leaving the old behind and charging into a high-energy performance. Whether it's the centerpiece of a setlist or a nostalgic nod during an encore, the track reminds fans of when the "Outlaw Gentlemen" first rode into town.
In 2013, a harmonica wailed over a gritty acoustic guitar, signaling a shift in the heavy metal landscape. That 88-second intro, aptly titled wasn't just a mood-setter; it was a manifesto. It invited listeners into a dusty, cinematic world of gunslingers and ghosts, marking the beginning of Volbeat’s most ambitious chapter: Outlaw Gentlemen & Shady Ladies . A New Frontier in Sound
While Volbeat had always flirted with "Elvis-metal," "Let's Shake Some Dust" signaled a deeper dive into American Western lore. By the time the dust settled and the heavy riffs of "Pearl Hart" and "Lola Montez" kicked in, the band had successfully married the spirit of Ennio Morricone with the crunch of Metallica.
Below is a draft for a music feature focusing on the legacy and impact of that specific era.
The track sets a desolate, sun-scorched stage, evocative of a spaghetti western showdown.
This era saw the permanent addition of lead guitarist Rob Caggiano (formerly of Anthrax), whose technical precision added a new layer of polish to Michael Poulsen’s grit.
Fans often cite this intro as the definitive "Volbeat vibe"—the moment you know you’re about to hear a story as much as a song. Shaking the Dust Off Today
Over a decade later, the phrase "Let's Shake Some Dust" remains a rallying cry for the band's live shows. It represents the act of leaving the old behind and charging into a high-energy performance. Whether it's the centerpiece of a setlist or a nostalgic nod during an encore, the track reminds fans of when the "Outlaw Gentlemen" first rode into town.
Ligeti and mathematics
The renowned mathematician Heinz-Otto Peitgen talks about his friendship with György Ligeti, the composer's interest in mathematics and the discoveries of chaos theory.
First page of the autograph fair score of L’escalier du diable (Paul Sacher Foundation, Basel).
Copy of the autograph fair score of L'escalier du diable, with annotations by the composer, page 1 (detail), Paul Sacher Foundation, Basel. The inscription in the right-hand margin reads 'revised MS, this is authoritative'.
Copy of the autograph fair score of L'escalier du diable, with annotations by the composer, page 1 (detail), Paul Sacher Foundation, Basel. The inscription in the right-hand margin reads 'revised MS, this is authoritative'. Let's Shake Some Dust
Bar 7-2: György Ligeti: Étude 13, bar 7/2, left hand, 9th – 11th quaver (eighth note)
Bar 36-3: György Ligeti: Étude 13, bar 36/3, right hand, 9th – 12th quaver (eighth note) In 2013, a harmonica wailed over a gritty
Bar 41: György Ligeti: Étude 13, bar 41/1, left hand, 8th – 12th quaver (eighth note)
Copy of the autograph fair score of L’escalier du diable, with annotations by the composer, page 6 (detail), Paul Sacher Foundation, Basel. A New Frontier in Sound While Volbeat had
Bar 45-3: György Ligeti: Étude 13, bar 45/3, right hand, 11th – 12th quaver (eighth note)
Bar 46-1a: György Ligeti: Étude 13, bar 46/1, right hand, 3th – 4th quaver (eighth note)
Bar 46-1b: György Ligeti: Étude 13, bar 46/1, right hand, 5th – 7th quaver (eighth note)
