It served as a famous leitmotif for a serial killer in Fritz Lang’s 1931 film M .
The piece is a masterclass in building tension through crescendo (increasing volume) and accelerando (increasing speed). It begins quietly with low strings and bassoons and ends in a frantic, full-orchestral climax that mimics Peer’s desperate escape.
“I found the music to be very ominous and foreboding... even for ten seconds or less, you will recognize this music as something you have heard in films or in cartoons.” tommacinneswriter.com · 1 year ago