inches), it was a common size for family keepsakes and was usually protected behind glass in a decorative leather or thermoplastic case. Archival Significance
At The Met, this specific file number is associated with the museum’s digital preservation efforts. It serves as a scholarly resource for studying: 5423290_050.jpg
The chemical transition of silver-plated copper into a mirror-like image. inches), it was a common size for family
You can view the full record and high-resolution details of this artwork through The Met's Open Access Collection. You can view the full record and high-resolution
The portrait features a young girl seated in a formal, static pose characteristic of the technical limitations of the time, which required subjects to remain perfectly still.
The "hand-colored" aspect is notable for its subtlety, using fine pigments to add pink hues to the girl's face and possibly gold accents to jewelry or details on her dress. Format: As a quarter-plate daguerreotype (roughly
The image is a prime example of mid-19th-century portraiture. During this era, daguerreotypes were the first commercially successful photographic process. Because the images were monochromatic and often appeared somewhat "ghostly" due to long exposure times, artists frequently applied delicate hand-tinting to the cheeks, clothing, and jewelry of the subjects to provide a more lifelike and "healthy" appearance. Visual Analysis